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International Tractractor Photo Archive Photographs from the McCormick-International Harvester Company Collection
A magnificent collection of rare black & white photographs specially selected from public and private archives promote the unique characteristics of these popular tractors.<br> <br> Filled with informative captions providing histories of featured models. Construction scenes, farming, logging, mining and more.
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Illustrated International Harvester tractor: buyer's guide
This essential buyers guide covers I-H tractors from 1921 to 1961, classifying all tractors from this period according to collectibility. Jam-packed with facts, history, specs, and model changes, plus hundreds of photos. Photography includes contemporary shots of restored and working tractors, as well as archival shots of historic models, and period advertising. Contains useful tips on problem tractors to stay away from. Sftbd., 7 1/2x 9 1/2, 160 pgs., 166 b&w ill.
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Pacesetters in Corporate Journalism International Harvester Magazines : Reaching Readers Through Photojournalism
Corporate journalists and editors looking for effective ways to connect with their audiences have a new resource. Pacesetters in Corporate Journalism, International Harvester Magazines--Reaching Readers through Photojournalism gives insight to the editorial philosophy of the International Harvester magazines and first-hand knowledge as to how they operated. Additionally, the book gives interesting behind the scenes information on stories selected from the magazines. The compelling, story-telling lessons learned by the International Harvester magazines are applicable to any media. Few corporate magazines connected with their readers like those produced by International Harvester in the 1950s and 1960s. With content that rivaled mainstream magazines like LIFE magazine, International Harvester World and IH Today took readers into the lives of International Harvester’s employees—from CEOs to factory workers, from behind the scenes at hard-nosed union negotiations to tender moments with employee loved ones. The magazines set standards for visual and corporate journalism. Under the direction of editors Gerald D. Hurley and Angus McDougall, International Harvester World and IH Today soon became pacesetters in corporate journalism. They became known for text that was tightly integrated with candid photography in clean, uncluttered layout. They set standards for visual journalism in their commitment to unbiased reporting.
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International Harvester Company of America
<p>This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.</p><p>This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.</p><p>As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.</p>
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International Hay Presses International Harvester Company of America, Incorporated, Chicago, USA (Classic Reprint)
Excerpt from International Hay Presses: International Harvester Company of America, Incorporated, Chicago, USA <p>In localities where but little or no hay is grown, and where there is a big demand for hay, high prices will be offered. The best markets are, as a rule, found in large cities, and on account of the limited space offered for storage in cities, there is a greater demand for baled hay than for loose hay. If the hay is baled it can be easily shipped to the market offering the highest price. <p>In feeding hay to his own stock, the farmer will find a great convenience and saving in having it baled, as it is much easier to handle baled hay than it is to drag loose hay around with a fork, and there is always considerable waste when loose hay is fed, due to its being scattered about the barn or feed lot. Baled hay can be stacked much easier and better than loose hay, and on account of the compactness of the stacks they can be protected from the weather by canvas coverings at a low cost. <p>About the Publisher <p>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com <p>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Wages in Practice and Theory: McCormick and International Harvester 1860-1960
Apparent first edition hardcover
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Red 4WD tractors 1957-2017: high-horsepower four-wheel-drive tractors from International Harvester, Steiger, J.I. Case & Case IH
<p>The story of the four-wheel-drive tractors built by Steiger, International Harvester, Case, and Case IH is told in dramatic fashion in this authoritative guide. Starting with the development of early four-wheel-drive systems at International Harvester, the book traces the evolution and design some of the most powerful and capable tractors of the twentieth century. With fresh detail on the 4300, 4100, Steiger-built IH tractors, and the 2+2 tractors including the Super 70 series, the book offers prototype drawings of several models--including the complete story of the never-before-published Magnum 2+2-- as well as inside stories and backroom drama that is a must for any enthusiast for farm history or tractors. <br><br>Learn the complete story of Steiger tractors, which were originally designed and built in the barn of John, Douglass, and Maurice Steiger located near Red Lake Falls, Minnesota. Containing interviews with more than 50 of the people who built Steiger from its humble origin to a world leader, the book traces the evolution of the lime green Steigers in engrossing detail. The book also covers the J.I. Case 4WD line in great detail. In addition, the book tells the story of how each of these significant players in the industry combined under one banner and--together--created one of the current industry-leading technologies, the Quadtrac. The modern evolution of the Steigers and the introduction of the STX Series (and more) also receive in-depth coverage.<br><br>The same team that created the award-winning books Red Tractors 1958-2013 and Red Combines 1915-2015 created this book, and notable new contributors include Sherry Schaefer (editor of Heritage Iron magazine) and noted historian Jim Allen. Contributors include Sherry Schaefer, Oscar H. Will III, Jim Allen, Kenneth Updike, Todd Markle, Gregg Montgomery, Guy Fay, Martin Rickatson, Sarah Tomac, Matthias Buschmann, Jean Cointe, Michael Osweiler, and Johann Dittmer.</p>
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United States of America, Petitioner, Vs. International Harvester Company, Et Al. , Defendants Transcript of Proceedings
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.<br><br>This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.<br><br>As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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